Comprising three site-specific installations, “Floating in Three Acts” marks Keren Anavy’s most significant presentation in the United States to date. The exhibition brings together drawing, painting, laser cutting, sculpture, video, and sound to create a multisensory environment.
Drawing on the artist’s personal experiences of migration and profound loss, the exhibition reflects on memory, identity, and the fragile boundary between inner reflection and external circumstances.
Divided into three acts—The Garden (irrigation), The Ocean (flooding), and Water Channels (floating)—the exhibition uses water as a central metaphor for personal reflection, ecological transformation, and the fluid movement between cultivation, submergence, and drift. As a whole, the installation bridges the personal and the universal, weaving an intimate narrative of loss and resilience with broader reflections on identity, memory, and ecological change.
Keren Anavy, Blood will Turn into Water, 2024, ink and colored pencils on transparent mylar, metal, mirrors, water, ink, variable dimensions. Installation view at, BioBAT Art Space, Brooklyn, NY.